A lingering chant echoes from the depths of mountains and time. On October 6-7, Tan Weiwei's “Echoes Through the Ages: Winds from Every Direction Theatre Concert” made its grand premiere at the Beijing National Centre for the Performing Arts. A musical journey gathering melodies from all corners and millennia-old reverberations thus set sail with the “wind.”

Rather than simply a singer, Tan Weiwei is a performer of intangible cultural heritage melodies and a collector of folk traditions. Roaming across mountains and seas, she gathers precious ancient folk music: Kangding Love Song, Huayin Old Melodies, Quanzhou Nanyin, Sichuan River Work Songs, Chaozhou Big Gongs and Yingwu Dance, Batang Tibetan Opera, Kunqu Opera, Qinqiang Opera, Hua'er Folk Songs... The intricate grandeur of these intangible heritage melodies awakens and blossoms through modern musical expression. Each song tells a story, each melody carries history.

The lights shift and transform with the music's ebb and flow—at times like the hazy dawn of creation, at times like the majestic expanse between mountains and seas, at times like the warmth of earthly life, and at times like the vastness of the primordial wilderness. The interplay of light and shadow is not merely a visual accent but becomes an integral part of the music itself. CKC's diverse lighting fixtures, in harmony with the vocals, collectively construct an artistic space that transcends time and space.

Ancient and modern intertwine within the dynamic light and shadow of the Proxima Hybrid , where millennia-old echoes are reborn through innovative expression. Crafting a 23,000-lumen beam with an ultra-narrow 0.9° angle, it transforms the surging emotion and power within the song into a visually magnificent spectacle. It showcases the crisp beauty of modern technology, bringing visually striking stage effects vividly to life.

Tourist M9 features a unique dual-mode system combining high CRI and high brightness, precisely mirroring the multifaceted expression of Tan Weiwei's vocals. In High CRI mode (35,000 Lm, CRI: 95, R9: 95), the high-CRI white light accurately captures the singer's emotional shifts and subtle expressions, translating musical narratives into tangible visual language. In high-brightness mode, it delivers 55,000 lumens of intensely saturated light, seamlessly transitioning between soft and powerful moments—much like Tan Weiwei's voice, capable of both tender delicacy and breathtaking intensity.

The light curtain unfolds like flowing water. CYC X serves as a footlight, rendering the passage of time with an even light wash that imbues the stage with a profoundly poetic color atmosphere. With a wide color temperature range linearly adjustable from 2400K to 8500K, it seamlessly transitions emotions between different chapters and songs with soft, natural light. CYC X blends the rustic with the modern, immersing audiences in the warmth of traditional culture intertwined with stage technology under its gentle glow.

In this concert named “Wind,” light takes on the form of wind. It responds to the music's rhythm and follows the singer's breath. The lighting is not merely an accessory but another “instrument”—it makes sound visible and imbues ancient melodies with new warmth.